The Soldier’s Tale is a staged music piece that Igor Stravinsky created based on a text by Charles-Ferdinand Ramuz. The work was conceived in 1917 while he was exiled in Switzerland during the Great War, and was devised for a small group of performers so it could easily be taken on tour like a small circus troupe. After Stravinsky’s great ballets, this was to be a forerunner of his neoclassical works such as Pulcinella. Stravinsky explained that his musical ideas usually came to him whilst he was working, but this wasn’t the case with the The Soldier’s Tale, where they came to him in dreams and he was very pleased to be able to remember them.
The Soldier’s Tale, a Faustian tale par excellence, sees a soldier on leave making a critical choice: to sell his soul, represented by his violin, in exchange for a magic book that would allow him to know the future and become rich. A moral tale is spun around this terrible exchange that resonates strongly with our “always more” obsession in a society that has rendered us insatiable and where temptation is all around.
In this version, given a decidedly contemporary interpretation, three performers – dancers and actors – give body and voice to the characters of this work. The Soldier’s Tale is presented as the dream of a woman who finds herself facing a critical dilemma in her life. Her therapist guides her in analysing a recurring dream where she is a soldier, to enable her to confront her demons.
Production and performers
Ferran Carvajal, artistic director and choreography
Albert Tola and Ferran Carvajal, dramatic composition and translation
Judit Farrés, Ariadna Montfort and Anna Serra, actors/dancers
Sarah Bels, violin
Albert Prat, double bass
Adrián Moscardó, trumpet
Noé Cantú, bassoon
Francesc Navarro, clarinet
Vicent Pérez, trombone
Joan Marc Pino, percussion
Roger Orra, set design and costumes
Marc Lleixà, lighting
Judit Farrés, sound space
Fátima Campos, assistant director and choreography
Cristina Raventós, executive producer
Carlos Ruiz (Lainezworks), photography
Giulia Grumi, assistant set design and costumes
Guillem Pol, company sound technician
Cristina C. Eujen, company lighting technician
Co-production: L’Auditori de Barcelona, Teatro Real Madrid and Thorus Arts
Ferran Carvajal dirigeix Història del soldat de Stravinski, nova producció de L’Auditori i el Teatro Real de Madrid
07-Jun-2019 – Aleix Palau