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RODRÍGUEZ VALENZUELA: 29

CROSSINGLINES

©Miquel Àngel Vich

Directory

    MANUEL RODRÍGUEZ VALENZUELA: 29 * (2013-18) ‎
    J. S. BACH: Aria Ächzen und erbärmlich Weinen from the Cantata Meine Seufzer, Meine ‎Tränen, BWV 13 ** (1726) ‎
    JEN-FÉRY REBEL: Le Cahos **(1737)

    ‎* World premiere, as part of the Sampler Series‎
    ‎** Arrangements by Manuel Rodríguez Valenzuela‎

Performers

    CrossingLines
    Laia Bobi Frutos, flute
    Víctor de la Rosa, clarinet
    Tere Gómez, saxophone
    Adrià Albadalejo, trombone
    Luis Codera Puzo, electric guitar
    Miquel Vich, percussion
    Mireia Vendrell, piano
    Lorenzo Ferrándiz, conductor
    • 7 €
    • Sala 3 Tete Montoliu
    • Sampler Series

    Supported by:

    Supported by:

    Program

    CrossingLines opens the Sampler Series season with 29, by Valencian composer Manuel ‎Rodríguez Valenzuela, an ambitious 30-minute work for acoustic piano controlled by ‎computer (disklavier), amplified ensemble, electronics and video. Rodríguez Valenzuela ‎builds his own personal sound world juxtaposing ideas and expressions to create clever ‎sound collages, often drawing on musical quotes and references. The colourful and ‎extremely concise writing of Rodríguez Valenzuela generates works that require an ‎extraordinary level of control of instrumental techniques, and shows musical imagination that ‎is expressed throughout, and in which the ensemble is constantly changing in a dynamic ‎combination of fragmented images with deeply rooted musical significance. The programme ‎concludes with two instrumentations of Baroque works by Rodríguez Valenzuela written for ‎the CrossingLines ensemble.‎

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