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Attention!:

Ticket includes a double concert:‎
‎19:00 Neus Estarellas‎
‎20:00 Quatuor Diotima

QUATUOR DIOTIMA

Grido

©Jérémie Mazenq

Directory

    JOAN MAGRANÉ: Alguns cants òrfics, string quartet No. 2 (2013) ‎
    STEFANO GERVASONI: Clamour, string quartet No. 3 (2014) ‎
    JOAN MAGRANÉ: Era, string quartet No. 3 (2019) (Part of the Sampler Series)‎
    HELMUTH LACHENMANN: Grido, string quartet No. 3 (2000-01)‎

Performers

    QUATUOR DIOTIMA
    Yun-Peng Zhao, violin
    Constance Ronzatti, violin
    Franck Chevalier, viola
    Pierre Morlet, cello
    • 10 €
    • Hall 2 Oriol Martorell
    • Sampler Series

    Supported by:

    Supported by:

    Program

    Quartet Diotima is one of the leading string quartets for new-music performance. Magrané’s ‎second string quartet, Alguns cants òrfics, includes verses from Notturni from ‎the book of poetry Canti Orfici by Italian poet Dino Campana, which Magrané ‎uses to create a breathtakingly expressive piece for quartet. Clamour by ‎Gervasoni emphasizes the need for open and deep expression of the important things, ‎affirming an emotional and semantic dimension as opposed to a bombast. Lachenmann ‎bases his music on shaping sound and creating continuity, revealing the unexpected and ‎offering a glimpse of the familiar. In the case of the string quartet, he reminds us that it’s all ‎about a musical conversation. This musical discourse, as with many of his works, questions ‎the act of listening through constant reorientation. In Lachenmann’s Grido, ‎despite reverting at certain moments to his particular use of the instruments’ bodies to ‎create sound, he uses the traditional quartet sound as a sound project with a 16-stringed ‎instrument.‎

    Collaborators

    • Festival Mixtur

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