KAZUSHI ONO CONDUCTS MAHLER’S TITAN SYMPHONY

  • 26th, 27th and 28th May 2017
  • 10 € / 32 € / 42 € / 56 €
  • Hall 1 Pau Casals
  • OBC Season

Attention!:

The piano concerto to be performed by Joaquín Achúcarro will be MOZART: Concerto for piano and orchestra No. 20 in D minor, K 466

Joaquín Achúcarro's concert in Barcelona ©Jean Baptiste Millot©Jean Baptiste Millot

Directory

FABIÀ SANTCOVSKY: Cuadro de presencia (2012)
MOZART: Concerto for piano and orchestra No. 20 in D minor, K 466 (with a cadenza by Clara Schumann)
GUSTAV MAHLER: Symphony No. 1 in D Major, “Titan”

Interpreters and guest artists

Kazushi Ono, conductor
Joaquín Achúcarro, piano

Kazushi Ono take us on a last triple spin to conclude the emotional journey of this roller-coaster ride from the OBC: legendary performer Joaquín Achúcarro plays Mozart, the impressive and spectacular First Symphony by Mahler, and a work by the youngster from Barcelona Fabià Santcovsky, a prizewinner at of one of the most rigorous international competitions.

PREVIOUSLY TALK

PREVIOUSLY TALK

CLUB DEL PETIT CONCERT

CLUB DEL PETIT CONCERT

If you have children and you like music, this is your chance! (For children 4 to 11 years).

Sessions available and tickets

Sunday

28 May 2017
Time:
11:00h
Price:

Included in:

Program

A pianist who has performed in public for sixty-five years (his debut performance at the age of 15 being Mozart’s Piano Concerto No. 20), Joaquín Achúcarro continues to delight audiences everywhere. He returns with the OBC and his favourite composer, Mozart, and the composer’s most popular, and also his most mature work. Mahler said that, as far as he was concerned, composing a symphony was like creating a world. So he created a new world, the first of which, the Titan Symphony, epitomised what he wanted to express: a spectacular orchestra, a ‘titanic’ structure, the dominance of the orchestration which carries the audience from highly poignant moments through to the dramatic force produced by symphonic language. The most important thing of all was the need for expression: “Emotions became so powerful in me that they gushed forth like an impetuous torrent!”

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