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In Order to Avoid Disorder

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    Alfredo Costa Monteiro: In Order to Avoid Disorder for instruments and chance ‎‎(2018) – National première

Performers

    Lali Barrière, synthesizer
    Tom Chant, soprano and tenor saxophone
    Ferran Fages, acoustic guitar
    Ángel Faraldo, no-input mixer
    Barbara Held, flute
    Àlex Reviriego, double bass
    Pilar Subirà, percussion
    Alfredo Costa Monteiro, accordion and composition
    • €7
    • Sala 4 Alicia de Larrocha
    • Sampler Series

    The Barcelona-based Portuguese artist Alfredo Costa Monteiro works at the point where the visual arts, visual poetry and sound meet. From a lo-fi perspective, what his sound installations and proposals have in common is an interest in unstable processes, raw materials and gestures, and the manipulation of objects as if they were instruments, or vice versa.

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    Supported by:

    Supported by:

    Program

    Costa Monteiro, an active agent in the international improvisation and experimental music and sound art scene, presents in Sampler Series In Order to Avoid Disorder, a work commissioned by the Centre National de Création Musicale d’Albi-Tarn and first performed in 2018 at the Riverrun Festival. An approach that questions fate’s ability to create order.

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