ARTISTS
Aurora Bauzà & Pere Jou – concept and direction
Aurora Bauzà & Pere Jou – creation with the performers
Lola Saint-Gilles, Carla Vukmirovic, Sara Bertolucci, Stefán Halldórsson, Esther Bachs & Pere Jou – performance
Jou Serra, Aurora Bauzà & Pere Jou – set design
Jou Serra, Aurora Bauzà, Pere Jou, scenic space conception
Jou Serra, laser light installation
Gemma Abellán – lighting design
Manel Quintana – technical and lighting support
Aurora Bauzà & Pere Jou – choreography
Aurora Bauzà & Pere Jou – musical composition based on Alonso Lobo’s De lamentatione Ieremiæ Prophetæ
Manuel Mateos Paz, wardrobe
Alessandro Sciarroni – choreographic and dramaturgical collaboration
Ariadna Miquel – production
Art Republic – distribution
A co-production by Aurora Bauzà & Pere Jou, Grec Festival Barcelona 2026, L’Auditori, Teatre Nacional de Catalunya, and the Perelada Festival.
With the collaboration of Grand Theatre Groningen, Festival MeetYou, Graner Fàbrica de Creació, Fabra i Coats, Canal de Salt and Teatre Municipal de Girona.
With the support of the Institut d’Estudis Baleàrics, Beca Crea Barcelona, and the Government of Spain – Ministry of Culture.
PROGRAMme
LOBO is a contemporary interpretation rooted in the Renaissance polyphony of De lamentatione Ieremiæ Prophetæ (1602) by Alonso Lobo. Drawing on this vocal composition—originally sung in darkness during Easter—Aurora Bauzà and Pere Jou create a scenic and sensory landscape where six bodies move, sing, appear and vanish. No words, only voice. No text, only light. The piece unfolds as a choreographic and musical exploration of longing and lament, using the interplay of voice, movement and light to reveal what remains unspoken between presence and absence, between the individual and the collective.
LOBO can be viewed as an exercise in meditation on the nature of time: its layering, its resistance, its fragility. Each gesture, each breath, each note lingers as the trace of something ancient and fleeting. Here time is not linear; it folds, repeats and transforms. Through this temporality, LOBO invites the audience into a suspended space where identities shift and dissolve, where memory and anticipation coexist, and where the unknown other is always present—reflected or reflecting.