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JOVE CAPELLA REIAL DE CATALUNYA

MAGNIFICAT, STABAT MATER, AVE MARIS STELLA

©A.Bofill

Directory

    MONTEVERDI: Salve Regina; O quam pulchra es; Crucifixus; Adoramus te, Christe; Pulchra es amica mea
    PALESTRINA: Duo ubera tua, Stabat Mater, Quam pulchri sunt
    VICTORIA: Ave Regina caelorum, Jesu dulcis memoria, Vere languores nostros, Ave María
    DE CABEZÓN: Kyrie de Nuestra Señora: Rex virginum
    CORREA DE ARAUXO: Canto Llano de la Inmaculada Concepción de la Virgen Maria

Performers

    Jove Capella Reial de Catalunya
    Lluís Vilamajó, conductor
    • 28€
    • Hall 2 Oriol Martorell
    • Música Antiga

    The Jove Capella Reial de Catalunya (Capella Reial Youth Choir of Catalonia) returns to L’Auditori to perform works related to the Virgin Mary by two of the greatest composers of the 16th century: Tomás Luis de Victoria from Ávila and Giovanni Pierluigi da Palestrina from Rome.

    PREVIOUSLY TALK

    PREVIOUSLY TALK

    Saturday 7th March 2020 at 7pm

    Program

    The Jove Capella Reial de Catalunya is an initiative of Jordi Savall and Lluís Vilamajó, created with the aim of promoting a new professional vocal ensemble to offer a musical repertoire with the voices of young singers.
    The Jove Capella Reial de Catalunya returns to L’Auditori to perform works related to the Virgin Mary by two of the greatest composers of the 16th century: Tomás Luis de Victoria from Ávila and Giovanni Pierluigi da Palestrina from Rome. Although the two composers coincided in time and place (it had even been pointed out for a long time that the former had been a student of the latter), their works, although similar in style, are very different in terms of aesthetics and expressive resources, almost opposed even, with a boundless Victoria and a much more measured Palestrina. Under the title of Stabat Mater, the various pieces from the repertoire include songs of praise to the Virgin Mary (Victoria, Quam pulchri sunt) and Jesus (Victoria, Pange lingua) and motets that run through the significant moments in Mary’s life: from the time she hears that she is to be the mother of the Messiah (Victoria, Ne timeas, Maria) to the crucifixion and the burial of her son (Victoria, Sepulto Domino), and the painful mourning of a mother, which gives the concert its name (Palestrina, Stabat Mater).

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